On this site is information about books written and edited by John Shannon Hendrix on the subjects of
architecture, art, philosophy, aesthetics, psychoanalysis, culture and history, as well as articles, conference
papers, and experience as Professor of Art and Architectural History.
John Shannon Hendrix is a Professor of Architectural History at the
University of Lincoln, UK, and an Adjunct Professor of Art and Architectural History at Roger Williams University, US. He
is an architectural and intellectual historian who has researched and written about a variety of architectures and philosophies,
for the purpose of suggesting alternatives to the practice of architecture and philosophy at the beginning of the twenty-first
century. He has worked to define a theoretical approach to art and architecture based on philosophy, aesthetics, cosmology,
psychoanalysis, and historical precedents which can be applied to contemporary practice. He has worked to establish an
intellectual basis for architecture in historiography and practice, means by which architecture can express cultural ideas
and epistemologies. He has researched and written about Egyptian, Greek, Roman, medieval, Renaissance, Baroque, early modern,
modern, postmodern, and contemporary architectures, and Hermetic, Platonic, Aristotelian, Neoplatonic, Peripatetic, Scholastic,
Idealist, Romantic, and Deconstructionist philosophies, and Freudian and Lacanian psychoanalysis.
Thought in Philosophy and Psychoanalysis, Basingstoke: Palgrave Macmillan, 2015.
Unconscious Thought in Philosophy and Psychoanalysis explores concepts throughout the
history of philosophy that suggest the possibility of unconscious thought and lay the foundation for ideas of unconscious
thought in modern philosophy and psychoanalysis. The book considers the workings of unconscious thought, and the
role that unconscious thought plays in thinking, language, perception, and human identity. The focus is on the metaphysical
and philosophical concepts of unconscious thought, as opposed to the empirical or scientific phenomenon of 'the unconscious',
and it is argued that these metaphysical concepts still played an important role in the psychoanalysis of Sigmund Freud and
Jacques Lacan. With chapters drawing on a wide range of philosophers from Plotinus to Freud and Lacan, Unconscious Thought
in Philosophy and Psychoanalysis casts an original and thought-provoking perspective on the relation between unconscious
thought and conscious thought, different kinds of thinking, and the relation between thinking and perceiving.
1. Plotinus: The First Philosopher of the Unconscious; Imagination and unconscious thought; Art and unconscious thought; 2.
The Peripatetics and Unconscious Thought; Alexander of Aphrodisias; Themistius; Alfarabi; Avicenna; 3. The Active Intellect
of Averroes; Averroes and Plotinus; Averroes and Grosseteste; 4. Robert Grosseteste: Imagination and Unconscious Thought;
5. Unconscious Thought in the Philosophy of Immanuel Kant; The Kantian imagination; Critique of Pure Reason;
Critique of Judgment; 6. Unconscious Thought in Eighteenth- and Nineteenth-Century Philosophies; Wolff, Baumgarten,
Sulzer, Platner; Schelling; Hegel; Herbart; Carus and Fechner; Hartmann and Lipps; 7. Unconscious Thought in Freud; 8. Unconscious
Thought in Lacan; Lacan and Plotinus
This book explains and celebrates the splendor and variety of English churches and
cathedrals, which have a major place in medieval architecture. The English Gothic style developed somewhat later than in France,
but rapidly developed its own architectural and ornamental codes. The book classifies English Gothic architecture in four
principal stages: the early English Gothic, the decorated, the curvilinear, and the perpendicular Gothic. Several photographs
of these architectural testimonies allow us to understand the whole originality of Britain during the Gothic era: in Canterbury,
Wells, Lincoln, York, Salisbury, and many more. The English Gothic architecture is a poetic one, speaking both to the senses
and spirit. The medieval churches and cathedrals of England collectively provide one of the richest architectural experiences
in the world.The Contradiction Between Form and Function in Architecture, Abingdon, Oxon: Routledge,
as Cosmology: Lincoln Cathedral and English Gothic Architecture,
The purpose of this book is to show how the contradiction between form and function has played an important
role in architecture throughout history, allowing architecture to be a form of artistic expression and a communicator of ideas
about human identity. Continuing the themes that have been addressed in The Humanities in Architectural Design and
The Cultural Role of Architecture, this book stresses the humanistic role of architecture in culture. The role of
the terms "form" and "function" are analyzed throughout the history of architecture and architectural
theory, from Vitruvius to the present, with particular emphasis on twentieth-century functionalism. Historical examples are
given from Ancient, Classical, Islamic, Christian, Byzantine, Gothic, Renaissance, Mannerist, and Neoclassical architecture,
and from movements in the twentieth century to the present. In addition philosophical issues such as lineamenti, Vorstellung,
différance, dream construction, deep structure and surface structure, topology theory, self-generation, and immanence
are explored in relation to the compositions and writings of architects throughout history. This book contributes to the project
of re-establishing architecture as a humanistic discipline, to re-establish an emphasis on the expression of ideas, and on
the ethical role of architecture to engage the intellect of the observer and to represent human identity.
New York: Peter Lang, 2011.
The purpose of the book is to show how the forms of English Gothic architecture are related to
medieval cosmologies, focusing on the architecture of Lincoln Cathedral and the cosmologies of Robert Grosseteste. The book
illustrates the extent of the influence of Lincoln Cathedral on the development of English Gothic architecture. The book examines
the precedents, interpretations, and influences of the architecture of Lincoln Cathedral. The book analyzes the origin and
development of the architectural forms, which were to a great extent unprecedented when they appeared at Lincoln. The architecture
is seen as a text of the philosophy, cosmology, and theology of medieval English culture.
Grosseteste: Philosophy of Intellect and Vision,
Sankt Augustin: Academia Verlag, 2010.
The purpose of the book is to illustrate how the philosophies of Grosseteste are rooted in
Platonic, Aristotelian, Neoplatonic and Peripatetic philosophies, and to show how Grosseteste made important contributions
to theories of intellect and vision. The book aims to contribute to the importance of Grosseteste in the history of philosophy,
and to establish groundwork for further development in these two areas of philosophy, to contribute to contemporary philosophy.
Emphasis is placed on the relation between Grosseteste's philosophies and previous influences (classical: Plato, Aristotle,
Euclid; Greek commentators on Aristotle: Alexander of Aphrodisias, Themistius; Arabic commentators on Aristotle: Alfarabi,
Avicenna, Averroes; and the Neoplatonic tradition: Plotinus, Proclus, Pseudo-Dionysius), as well as their relation to subsequent
philosophies in the middle ages, and the Renaissance to the twentieth century. The philosophies are also considered in relation
to the architecture of Lincoln Cathedral.
Architecture and Psychoanalysis:
Peter Eisenman and Jacques Lacan,
New York: Peter Lang, 2006.
The purpose of the book is to show how the psychoanalytic theories of Sigmund
Freud and Jacques Lacan can be applied to architecture, focusing on the architecture of Peter Eisenman. There
are extended discussions of the thought of figures such as Ferdinand de Saussure and Jacques Derrida, and the work of architects
such as Leon Battista Alberti, Francesco Borromini, Giuseppe Terragni, and Ludwig Mies van der Rohe. Concepts analyzed in
relation to architecture include the signifier and signified in Structural Linguistics, deep structure and surface structure,
differance in Deconstruction; latent content and manifest content in the dream work of Freud, as well as condensation
and displacement, picture thinking and image making; Lacanian concepts of the anchoring point and sliding in language, the
mirror stage, ego formation, the matrix and mechanisms of language, and primordial perception. Concepts of Eisenman for architecture
which are analyzed include apperception, scaling, decomposition, folding, blurring, the figural, the interstitial, and interiority.
Aesthetics and the Philosophy of Spirit: From Plotinus to Schelling
New York: Peter Lang, 2005.
The purpose of the book is to show the roots of the aesthetics of Hegel
and Schelling in the thought of Plotinus, and to show the importance of the aesthetics in artistic production. The book describes
the Platonic bases of the aesthetics of Plotinus, and the Plotinian bases of the aesthetics of Schelling and Hegel in the
Philosophy of Spirit, Identity Philosophy (the relation between intellect and nature), and Transcendental Idealism. The book
explores the concept of art as philosophy, as a product of mind, and as an instrument of intellect in the relation between
reason and perception. Particular concepts analyzed include the dialectics of universal and particular, subjective and objective,
consciousness and self-consciousness, thought and matter in representation (Darstellung), and being-in-itself (Ansich)
and being-for-self (Fursich), as they are manifest in artistic representation.
Chapters: 1. Introduction; 2. The Symposium and the Aesthetics of Plotinus; 3. The Aesthetics of Schelling:
The Philosophy of Art; Bruno, or On the Natural and the Divine Principle of Things; System of Transcendental
Idealism; 4. Plotinian Hypostases in Hegel's Phenomenology of Spirit; 5. The Aesthetics of Hegel: Introductory
Lectures on Aesthetics; Phenomenology of Spirit; Philosophy of Mind; 6. Architecture and the Philosophy
Platonic Architectonics: Platonic
Philosophies and the Visual Arts,
New York: Peter Lang, 2004.
The purpose of the book is to illustrate the important role that Platonic
philosophies have played in a variety of art and architectural production from the fourth to the twentieth centuries. There
are chapters on Anaximander, Plato, Plotinus, Proclus, Cusanus, Leon Battista Alberti, Piero della Francesca,
Paul Cezanne, the Cubists and Deconstructivists. Interpretations of philosophical texts, artistic treatises, and works of
art and architecture in Western culture are presented as they are related to Platonic and Neoplatonic philosophies. Philosophical
concepts examined include the apeiron, arche, chora, cosmos, Idea,
intellectus divinus, implicato/explicato, coincidentia oppositorum, Intellectual Principle,
the Other, the heterogeneous, and deep structure, in relation to artistic concepts such as perspectiva naturalis/artificialis,
costruzione leggitima, scenographia, concinnitas, disegno, commensuratio, harmonic
proportions, transformational relationships, spacing, and dislocation.
Architectural Forms and Philosophical Structures,
New York: Peter Lang, 2003.
The purpose of the book is to show how a variety of architectural forms
are related to philosophical structures, and how architectural theory is rooted in philosophy. There are chapters on
Egypt, Archaic Greece, Francesco Borromini, Guarino Guarini and Bernardo Vittone, Gottfried Wilhelm Leibniz, Giambattista
Piranesi, the Gothic Romance, Jacques Lacan and Roger Caillois, Sigmund Freud and The Cabinet of Doctor Caligari,
Georges Bataille and Frederick Kiesler, and The Body in the Theory of Making. The book examines such philosophical concepts
as the Ennead and the zodiac, numerology and cosmology, Hermeticism and Neoplatonism, the tetractys, circuitus spiritualis,
Celestial Hierarchies, complicato/explicato, coincidentia oppositorum, Structural Rationalism,
the sublime, the unconscious, dream images, psychophysiological space, psychasthenia, the informe, the gaze, the
libido, optical theory, and the heterogeneous, in relation to architectural design.
1. Introduction; 2. Architecture and Cosmology in Ancient Egypt; 3. Architecture and Cosmology in Ancient Greece; 4.
Francesco Borromini and the Construction of Meaning; 5. Guarino Guarini and Bernardo Vittone; 6. Leibniz and the Baroque;
7. The Psychological Architecture of Piranesi; 8. Architecture of the Unconscious in the Gothic Romance; 9. The Structure
of Psychophysiological Space; 10. Sigmund Freud and The Cabinet of Doctor Caligari; 11. Georges Bataille and Frederick
Kiesler; 12. The Laceration of the Body
The Relation Between
Architectural Forms and Philosophical Structures in the Work of Francesco Borromini in Seventeenth-Century Rome,
The purpose of the book is to show how Borromini's architectural forms
are related to philosophical structures, and how Borromini's architecture is a catechism of the philosophies of its culture,
in a culmination of classical and renaissance ideas. The analysis includes a historical reconstruction
of the setting of seventeenth-century Rome and an examination of drawings and built work in relation to published diagrams
and essays, which were translated by Borromini into geometries and architectural forms. Buildings examined include San Carlo
alle Fontane, Sant'Ivo alla Sapienza, and the Oratorio di San Filippo Neri. Philosophies include those of Nicolas Cusanus,
Marsilio Ficino, and Athanasius Kircher.
1. Renaissance Precedent: Leon Battista Alberti; 2. The Structure of the Cosmos in the Baroque; 3. The Neoplatonic Idea at
the Accademia di San Luca; 4. Syncretism and Architectural Syntax; 5. The Structuring of the Conceptual Process; 6. Athanasius
Kircher and Hermeticism; 7. Esoteric Symbols of Hermetic and Neoplatonic Philosophy; 8. Light, Vision and Numerology; 9. The
Transmutation of Geometries; 10. Neoplatonic Philosophy; 11. Presocratic Origins
History and Culture in Italy,
Lanham, MD: University Press of America, 2003.
An introductory survey of history and culture in Italy, based on classes, lectures
and tours in Italy over the course of four years. The survey includes personal experience, and descriptions of significant
figures in politics, literature, philosophy and the arts.
Chapters: 1. Giordano Bruno and Intellectual Rebellion; 2. Venice, Vicenza and Milan; 3. Paolo Portoghesi: Borromini and
Postmodernism; 4. Mythological Origins in Crete and the Peloponnese; 5. Giuseppe Mazzini and the Risorgimento; 6. Baroque
Architecture in Turin; 7. Primo Levi and Post-Holocaust Identity; 8. Antonio Gramsci and Marxist Cultural Theory; 9. Vienna
and the Origins of Modernism; 10. Prague: Creativity and the Subconscious; 11. Giovanni Macchia: Sensuality and Modern Life;
12. Futurism and the Obsession with Speed; 13. Calcio and Astrology in Modern Italy; 14. Silvio Berlusconi and Capitalist
Politics; 15. Life as Spectacle; 16. Calcata: A Bohemian Alternative; 17. Franco Archibugi and the Italian Language; 18. Campo
Marzio: The Heart of Rome; 19. Genoa and the French Riviera; 20. Capri and Anacapri; 21. Thomas Aquinas and the Great Synthesis;
22. Lorenzo Valla: Philology and Textual Criticism; 23. Tommaso Campanella: Political Revolt and Utopia; 24. Giambattista
Vico and the Social Sciences; 25. Benedetto Croce and the Philosophy of Spirit; 26. Archetypes for Mythology and Christianity
in Egypt; 27. Olympia: The Greek Arcadia; 28. The Art Scene in Rome; 29. The Villa Farnesina; 30. Seneca and Stoicism; 31.
Constantine and Christianity; 32. Cicero and the Art of Oration; 33. Piazza San Pietro and the Arms of the Church; 34. Classical
Philosophy in the Vatican; 35. Borromini: Humanism and Neoplatonism; 36. The Cornaro Chapel: Spiritual and Physical Ecstasy;
37. Pompeii and the Villa of the Mysteries; 38. Plotinus: Plato and the Ennead; 39. Saint Francis of Assisi and the Universal
Spirit; 40. Siena: The Renaissance that Might Have Been; 41. Saint Augustine and the Christian Community; 42. Leon Battista
Alberti and the Modern Architect; 43. The City of Florence; 44. Michelangelo: Expression and Rebellion; 45. The Platonic Academy;
46. Sandro Botticelli and Classical Mythology; 47. Pisa: Monuments to an Empire; 48. Galileo and the Birth of Science; 49.
Umberto Eco and the Importance of Semiotics; 50. Andrea Palladio and Humanist Architecture; 51. Byzantine Mosaics in Ravenna;
52. Giuseppe Terragni: Architecture and Politics; 53. Athens and Aix-en-Provence
Bishop Robert Grosseteste and Lincoln Cathedral:
Relationships between Medieval Concepts of Order and Built Form
Surrey: Ashgate, 2014.
The purpose of the book is to understand medieval architecture in relation to medieval
society, values, philosophy and religion, focusing on Robert Grosseteste and Lincoln Cathedral. The architecture and topography
of Lincoln Cathedral are examined in their cultural contexts, in relation to scholastic philosophy, science and cosmology,
and medieval ideas about light and geometry, as highlighted in the writings of Robert Grosseteste, Bishop of Lincoln Cathedral
in the thirteenth century. The book explores Grosseteste's ideas in the broader context of medieval and renaissance cosmologies,
optics and perspective, natural philosophy and experimental science, along with issues such as the policies of the bishop
in governance and education. The book contributes to the broader understanding of the relations between architecture and cultural
issues. Edited with Nicholas Temple and Christian Frost, with essays by Nicholas Bennett, Nicholas Temple, Cecilia Panti,
Jack Cunningham, John Hendrix, Noe Badillo, Dalibor Vesely, Christian Frost and Allan Doig.
The purpose of the book is to demonstrate the important role that
architecture plays in cultural expression and identity, and to show the extent to which architecture
is a humanistic discipline. The book examines the historical role of the cultural in architectural production
and expression, looking at meaning and communication, tracing the formations of cultural identities. Chapters written by international
academics in history, theory and philosophy of architecture, examine how different modes of representation throughout history
have drawn profound meanings from cultural practices and beliefs. Edited with Paul Emmons and Jane Lomholt, essays by Nicholas
Temple, Dagmar Weston, Chris Siwicki, Liana De Girolami Cheney, Noé Badillo, Jane Lomholt,
Louise Pelletier, Cristina Gonzalez-Longo, Paul Emmons, Marco Frascari, Chris Hay, Harry Charrington, Jan Frohburg, Alexandra
Stara, Gerald Adler, John Hendrix, Alberto Pérez-Gómez,
Nikolaos-Ion Terzoglou, Ashraf Salama, Jason Crow, Mark Cannata, Nader El-Bizri.
Theories of Vision,
Farnham: Ashgate, 2010.
The purpose of the book is to show
how renaissance works of art were based on aesthetic theories focusing on theories of vision, which were derived from classical,
medieval, and renaissance philosophies. How are processes of vision, perception, and sensation conceived
in the Renaissance? How are those conceptions made manifest in the arts? The essays in this volume address these and similar
questions to establish important theoretical and philosophical bases for artistic production in the Renaissance and beyond.
The essays also attend to the views of historically significant writers from the classical period to the eighteenth century,
including Plato, Aristotle, Plotinus, St. Augustine, Ibn Sina (Avicenna), Ibn al-Haytham (Alhazen), Ibn Sahl, Marsilio Ficino,
Nicholas of Cusa, Leon Battista Alberti, Gian Paolo Lomazzo, Gregorio Comanini, John Davies, Rene Descartes, Samuel van Hoogstraten,
and George Berkeley. Contributors scrutinize and illustrate the effect of changing and evolving ideas of intellectual and
physical vision on artistic practice in Florence, Rome, Venice, England, Austria, and the Netherlands. The artists whose works
and practices are discussed include Fra Angelico, Donatello, Leonardo da Vinci, Filippino Lippi, Giovanni Bellini, Raphael,
Parmigianino, Titian, Bronzino, Johannes Gumpp, and Rembrandt van Rijn. Taken together, the essays provide the reader with
a fresh perspective on the intellectual confluence between art, science, philosophy, and literature across Renaissance Europe.
Edited with Charles H. Carman, essays by Nader El-Bizri, Charles H. Carman, Allie Terry, Amy R. Bloch, John Hendrix, Liana
De Girolami Cheney, Christian Kleinbub, Nicholas Temple, Thijs Weststeijn, Faye Tudor, Alice Crawford Berghof.
Neoplatonic Aesthetics: Music, Literature
and the Visual Arts,
New York: Peter Lang, 2004.
The purpose of the book is to show that there is such a thing as Neoplatonic
aesthetics, and that it plays an important role in a variety of artforms in the history of Western culture. The
essays are from a conference organized in Florence with Liana De Girolami Cheney, examining the role of Neoplatonic aesthetics
in the arts. There are chapters by contributors on Sufism, Proclus, Gioseffe Zarlino, Platonic Forms, Plotinus, Stephen MacKenna,
Iris Murdoch, Fra Angelico, Leon Battista Alberti, Sandro Botticelli, Michelangelo, Giorgio Vasari, Denman Ross, and Postmodern
The purpose of the book is to
illustrate the important role that Neoplatonism has played in artistic production in a variety of artforms. The essays
are from a conference organized in Rome with Liana De Girolami Cheney, examining the role that Neoplatonism has played in
artistic production in Italy. There are chapters by contributors on Georges Gemistos-Plethon, Marsilio Ficino, Plato,
Michelangelo, El Greco, Francesco Borromini and Athanasius Kircher, The Myth of Hercules, Sandro Botticelli, Dante, Giorgio
Vasari, Francesco Clemente and Giovanni Macchia.
of form and function in architectural aesthetics," in Rivista di Estetica 58
(1, 2015), ed. Elisabetta Di Stefano and Francesco Vitale, Turin: Labont, 2015.
"Architecture and Intellectual Development," in Kyriaki Tsoukala, Nikolaos-Ion Terzoglou,
Charikleia Pantelidou (eds.), Intersections of Space and Ethos, London
and New York:
"The Enflamed Heart: Architecture and Iconology,"
in Giuseppe Cascione, ed., Iconocrazia,
No. 6, Bari: Universita di Bari "Aldo Moro," 2014.
"The Architecture of Lincoln Cathedral and the Cosmologies
of Bishop Grosseteste,"
in Nicholas Temple, John Shannon Hendrix, and Christian Frost (eds.), Bishop
Grosseteste and Lincoln Cathedral: Tracing Relationships between Medieval Concepts
of Order and Built Form, Farnham, Surrey: Ashgate, 2014.
in Angela Bartram, Nader El-Bizri and Douglas Gittens (eds.), Recto Verso:
the Sketchbook, Farnham, Surrey: Ashgate, 2014.
"Psychoanalysis and Identity in Architecture," in Soumyen
Bandyopadhyay and Guillermo
Garma Montiel (eds.), The Territories of Identity: Architecture
in the Age of Evolving
Globalisation, Abingdon, Oxon: Routledge, 2013.
“The Architecture of Lincoln Cathedral and the Institution of Justice,” in Jonathan Simon,
Nicholas Temple, and Renée Tobe (eds.), Architecture and Justice: Judicial Meanings
in the Public Realm, Farnham, Surrey: Ashgate, 2013.
“Architecture and Dream Construction,” in Elizabeth
Danze and Stephen Sonnenberg (eds.),
Center, Vol. 17: Space and Psyche,
Austin: Center for American Architecture and Design,
“Theorizing a Contradiction
Between Form and Function in Architecture,” in Raymond Quek, ed.,
Expertise of Architecture and Its History, Prestoria: South African Journal of Art History,
Vol. 27, No. 1, 2012.
"Architecture and Intellectual
Development," Intersections of Ethos and Space, Nikolaos-Ion
ed., Thessaloniki: Epikendro Editions, 2012 (in Greek).
"The Necessity of Architecture," The Cultural Role
of Architecture, Routledge, 2012.
"Architecture as the Psyche of a Culture,"
The Cultural Role of Architecture,
in the Writings of Robert Grosseteste," Conversations
Platonic and Neoplatonic: Intellect, Soul, and Nature, Academia Verlag, 2011.
as a Function of Desire in the Renaissance," Renaissance Theories of
"Neoplatonism at the Accademia di San Luca in Rome," The Humanities
Architectural Design, Routledge, 2010.
"The Return of Allegory to Architecture," Changing Territories, New Cartographies,
ACSA Conference Proceedings, 2004.
"Architecture and the Philosophy of Spirit,"
Spirit, ACSA Conference Proceedings,
"The Neoplatonic Aesthetics of Leon Battista Alberti,"
Neoplatonic Aesthetics: Music, Literature, and the Visual Arts, Peter Lang, 2004.
"Gae Aulenti," "Leonardo Benevolo," "Vittorio Gregotti," "Pier Luigi Nervi," "Paolo
Portoghesi," Encyclopedia of Twentieth Century Architecture, New York:
Borromini and Athanasius Kircher," "Francesco Clemente
and Giovanni Macchia,"
Neoplatonism and the Arts, Edwin Mellen, 2002.
"Neoplatonism in the Design
of Baroque Architecture," Neoplatonism and Western
Aesthetics, Aphrodite Alexandrakis ed., Albany: State University of New York Press,
"Symbols in the Designs of Francesco Borromini," Imaging Humanity,
John Casey ed.,
Lafayette, IN: Bordighera Press, 2001.
attraverso gerarchie neoplatoniche in San Carlo alle Quattro Fontane,"
Borromini, Atti del convegno internazionale, Milano: Electa, 2000.
Philosophy and Roman Baroque Architecture," European Studies
"The Body in the Theory of Making," Triangulating the Bodies
of Architecture, ACSA
Conference Proceedings, 1996.
Renaissance Society of America, Humboldt University, Berlin, 2015.
and Cosmology," Symposium on Lincoln Cathedral and Architectural
of Lincoln, 2015.
"Unconscious Thought in Peripatetic
Philosophy," Ancient and Medieval Philosophy,
Fordham University, 2014.
The First Philosopher of the Unconscious," International Society for
Studies, University of Lisbon, 2014.
"The Enflamed Heart: Architecture and Iconology," Renaissance Society
New York, 2014.
"Neoplatonism and English Gothic Architecture,"
International Society for Neoplatonic
Studies, Cardiff, 2013.
"Philosophy of Intellect in the Long Commentary on the De anima of Averroes,"
Ancient and Medieval Philosophy, Fordham University, 2012.
"Intellect and the Structuring of Reality in Plotinus and Averroes," International Society
for Neoplatonic Studies, University of Cagliari, Sardinia,
"Topological Theory in Bioconstructivism," Theoretical Currents II: Architecture and Its
Geographical Horizons, University
of Lincoln, 2012.
"Alberti and Ficino," Renaissance Society of America, Washington DC, 2012.
"The Cosmology of Grosseteste and the Architecture
of Lincoln Cathedral,"
Symposium on Architecture as Cosmology: Lincoln Cathedral
Robert Grosseteste (1235-53), Lincoln Cathedral Conference Centre, 2012.
"Neoplatonism in the Liber Naturalis and Shifa: De anima or Metaphysica of
Avicenna (Ibn Sina)," Ancient and Medieval Philosophy, Fordham, 2011.
"Celestial Vaults in English Gothic Architecture," Conference on Heavenly Discourses,
University of Bristol, 2011.
Battista Alberti and the Concept of Lineament," Conference on Iconology,
of Vienna, 2011.
"Neoplatonism in the Risala (De intellectu) of Alfarabi," International Society for
Neoplatonic Studies, Atlanta, 2011.
"Palimpsest," Conference on the Sketchbook, University of Lincoln, 2011.
Medieval Philosophy, Fordham University, 2010.
"Lincoln Cathedral and the Development of English Gothic Architecture,"
of English Gothic Architecture at Lincoln," University of Lincoln, 2008.
of America, Chicago, 2008.
in Design Creativity, University of Lincoln, UK, 2007.
and Language in Plotinus," Ancient and Medieval Philosophy,
Fordham University, 2007.
"Architecture and Dream Construction," Space and Mind, University
and Psychoanalysis in the Seventeenth Century," Imaginary Cities,
Penn State University,
"Neoplatonism and Perspectival Construction,"
Renaissance Society of America,
"Neoplatonism and Psychoanalysis: Plotinus and Lacan," Ancient and Medieval
Philosophy, Fordham University, 2006.
and Psychoanalysis," ACSA, Laval University, Quebec, 2006.
Bases of Hegelian Aesthetics," International Society for
Laval University, Quebec, 2006.
"Plato and Deconstruction:
The Chora and In-Between," Ancient and Medieval
Philosophy, Fordham University,
"The Symposium and the Aesthetics
of Plotinus," International Society for
Neoplatonic Studies, New Orleans, 2005.
"Piero della Francesca's Theory of Perception," Renaissance
Society of America,
University of Cambridge, UK, 2005.
"The Return of Allegory to Architecture," ACSA, Syracuse University, 2004.
"Architecture and the Philosophy of Spirit," ACSA, Judson College,
"The Plan of Borromini's San Carlo
alle Quattro Fontane," Panel on Baroque
Architecture, CUNY Graduate Center,
"The Intellectual Principle of Plotinus
and Hegelian Self-Consciousness," Ancient
and Medieval Philosophy, Fordham University,
"Platonic Architectonics: Platonic Philosophy
and Architecture," Architecture and
Philosophy, University of Leeds, UK, 2004.
"Plotinian Hypostases in Hegel's Phenomenology of Spirit,"
for Neoplatonic Studies, University of Liverpool, UK, 2004.
"Anaximander and Plotinus," Ancient and Medieval Philosophy, Fordham
Neoplatonic Aesthetics of Leon Battista Alberti," Neoplatonic Aesthetics,
of Fine and Liberal Arts, Florence, 2003.
and Plato," Ancient and Medieval Philosophy, Cathedral of Saint
John the Divine,
New York, 2003.
"Greek Revival Architecture
in Rhode Island," Styles in New England Architecture,
University of Massachusetts, Lowell, 2002.
Cusanus and the Transmutation of Geometries," International Society for
University of Maine, 2002.
"The Platonic Geometries
of Cezanne," Mediterranean Studies Association, Aix-
en-Provence, France, 2001.
"Plato and Natural Law," Plato and Law, University of Athens, Greece,
"Ascesa attraverso gerarchie neoplatoniche
in San Carlo alle Quattro Fontane,"
Borromini and the Baroque Universe, Rome,
"Francesco Borromini and Athanasius Kircher,"
Neoplatonism and the Arts in
Italy, American University in Rome, 2000.
"Philosophical Traditions in Contemporary Italian Painting," Neoplatonism
the Arts in Italy, American University in Rome, 2000.
"The Construction of an Ethical Rationality in Plato's Laws,"
Olympia, Greece, 1999.
"Designs of Francesco Borromini," Imaging Humanites, Loyola University
Aesthetics," Neoplatonism and Western Aesthetics, University of
"Baroque Architecture and Neoplatonic Philosophy," Renaissance Studies,
University of Miami, 1998.
"The Ethics of Transgression in Aesthetic Ideologies," Mythology and Ethics,
Cornell University, 1997.
Structures in Architecture," Architectural Theory and Practice,
of Pennsylvania, 1997.
"Psychoanalysis and Spatial
Construction," Psychoanalysis and Cultural
Studies, University of Rochester,
"Social Construction and the Unconscious,"
Transporting Cultures, Binghamton
"The Body in the Theory of Making," ACSA, Buffalo, 1996.
See Resume for education and teaching experience.